I don’t put it on in any way-what you hear is just how I like to sing, that’s my comfort zone. When I got to university, I decided I should engage in the uni experience, meet people and do things I wouldn’t ordinarily do, so I started singing in front of people. #Breezeblox play these gamez trialThere was no time that I can remember where it was like “Okay, this is my voice ” it was more trial and error for a long, long period of time. I was probably mimicking my dad’s voice, because it’s the only thing I had to go on, but then I started doing it more and more on my own. We liked that you might have to go back and watch it a second time to figure out what is happening.įINDING HIS VOICE: My dad is a singer, and I always grew up listening to him. It’s quite a weird one people aren’t sure what’s going on. Our video for this track has a really different message, and yet it worked really well with the song. We related that idea to Where the Wild Things Are, which we all grew up reading, where in the end the beasts say “Oh, please don’t go! We’ll eat you whole! We love you so!,” that they would threaten cannibalism to have that person-it’s a powerful image. Apparently, people thought that we coined the term “folk step,” but none of us said anything about “folk step.” We’re not into branding what we do.ĬURRENT SINGLE “BREEZEBLOCKS”: The song is about liking someone who you want so much that you want to hurt yourself and them, as well. We’re just happy writing music, and now we’re lucky enough to do that hobby professionally. We don’t like people trying to figure out what our music sounds like, nor do we feel like we do that for them. We’re not interested in trying to define ourselves. NO LABELS: Our mission is not to create a new genre. We’re on the same wavelength which is why we end up sounding okay. I think because we were all friends before we were musicians, we naturally understand one another. We work very hard, and in some cases we spend years on songs trying to get it right-refining it, picking things out and changing things around. It’s not something we’re aware of, just something we’re told. We just try to play music we like to hear and we’re kind of absentmindedly sounding like no other band at the moment. SONGWRITING PROCESS: Part of the reason is accessible is because we don’t try to go out of the box or be innovative. It’s been an amazing thing for people to like your album-not only fans, but experts to say really nice things-that’s just another level. ON THE POSITIVE FEEDBACK OF AN AWESOME WAVE: We can’t get over it. We talked to frontman Joe Newman, as his train chugged along through England, about sinister love song “Breezeblocks,” having a crush on Baby Spice, and whether or not their interest in triangles could result in an unwanted Illuminati conspiracy theory ( à la Jay-Z’s Roc Nation triangle symbol). The band is currently touring the UK and will be playing the festival circuit this summer. The tale is told with an unexpected urgent sensuality, poetic vulnerability, and an accessible eccentricity that ultimately proves to be the fruitful listening experience music critics have so fervently promised. Their debut intricately entangles multiple musical genres-folk verses, trip-hop atmosphere, pop catchiness, indie rock quirk, rock rattling bass, hip-hop beats, electronic heavy synth riffs-and interweaves it with heartbreakingly intimate lyrics, peppered with film and literary references including shout-outs to Maurice Sendak’s Where the Wild Things Are and Luc Besson’s Léon. The former fine art students met and formed the band (originally named FILMS until a case of mistaken identity with US band The Films) at Leeds University in 2007 and have since succeeded in earning comparisons to Radiohead (a noted influence), nabbing tour time with Ghostpoet and Wild Beasts, and basking in glowing reviews for their debut album, An Awesome Wave. Despite the building buzz surrounding their title and genre name games (which they reluctantly once tagged “trip-folk”), the band has quickly risen above the hype as a genuine bands to watch in 2012. In fact, at first it seemed as if they didn’t want us to find them or figure them out, thanks to what seemed an unsearchable band name-a triangle or delta sign, â?, pronounced alt-j (after the keyboard shortcut which creates a triangle on a Mac)-along with a curious aversion to the camera and an unself-conscious desire to color outside the lines of genre, all of which shaded them mysterious and perhaps a tad pretentious. UK quartet Alt-J doesn’t want us to define them.
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